“There’s four sides to every story, if these walls could talk, they’d probably still ignore me.” (Viktor Vaughn)

Foto by Ash Smith

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As a visual artist and cultural and literary scholar my practice is situated between text, image and space. It brings together painting, writing, film, performance and exhibition-making, often exploring how artistic works become social and cultural processes. Language, in its many forms, often serves as both a point of departure and a point of return. My work reflects on the conditions in which images, narratives and forms of knowledge are produced, circulated and encountered.

A central concern of my practice is the body’s situated presence and movement in space. I understand artistic production as embodied, spatially conditioned and relational: the body is not only the site from which I work, but also a medium through which works are encountered, perceived and understood. My works unfold between concrete, urban and rural spaces, exhibition spaces and imaginary spaces, where physical, pictorial and textual forms overlap and shape one another.

My current PhD project in artistic research critically examines UNESCO’s initiatives to produce and disseminate colour reproductions of artworks through travelling exhibitions worldwide after 1946. Combining artistic and scholarly methods, the project investigates the ideological, aesthetic and cultural implications of reproduction, exhibition-making and global knowledge production. It also brings these questions into relation with my engagement with family history and with the UNESCO idea of a “family of man”: the ambivalent notion of a universal human family shaped by the post-war desire for global understanding and solidarity.

My artistic practice, (academic) research and teaching are closely intertwined. I develop and examine these questions in dialogue with students, collaborators and audiences through seminars, exhibitions and shared research processes. I understand teaching not as a separate field, but as an important part of my artistic and scholarly practice: a space in which knowledge is produced collectively, tested through forms and made perceptible. Methodological curiosity, attention to language and embodied experience, and a commitment to exchange shape my ongoing, “un/disciplined” practice.


I currently live and work in Halle (Saale) and Berlin. 

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Exhibitions

2026

Animale – Art for animals, Obere Zehntausend, Pätz (Group)

2025

From Artemis to Dara: Remember the Utopia, KONAK METRO SANAT GALERİSİ, Izmir (Group)

Zeichen zur zeit, kunsthaus sans titre, potsdam (group)

diagonale 6 / windschief, Museum Kesselhaus herzberge, Berlin (group)

Chaotische Gravitationszentren, Büro Für, Halle (Saale) (Solo)

2024

WÖRT, WÖRT, Raum für drastische Maßnahmen, Berlin (Group)

Diagonale 5 / Fallstreak, Verwalterhaus, Berlin (Group)

Habitat, StadtWERKSTATT Friedrichshain-Kreuzberg, Berlin (Group)

Ich setze mich da auf einen Stuhl und fange dann an, Kunsthalle am Hamburger Platz, Berlin (Duo)

2023

Play(ground), 48h Neukölln, KINDL Zentrum für zeitgenössische Kunst, Berlin (Group)

It’s like putting a hat on a hat, w. Canberk Akçal, Backhaus Projects, Berlin (Duo)

Untergrund MOMA, U-Bahnhof Bundesplatz, Berlin (Group)

Hammer Show, Zuostand, Berlin (Group)

Makulatur, Mutabor-Antiquariat, Berlin (Group)

2022

Remote_01, Art Week, Berlin, (Group)

Kafayı yemek, 48h Neukölln, KINDL Zentrum für zeitgenössische Kunst, Berlin (Group)

Diagonale 4 / Transfinity, Verwalterhaus, Berlin (Kuration, Group)

Einhundert Hunde, Am Flutgraben, Berlin, (Group)

5000, Munch-Haus, Warnemünde (Group)

Opening Hours, Treptow Ateliers, Berlin (Group)

2021

Diagonale 3, Haus104/Flughafen Tempelhof, Berlin (Group)

Under Feminist Construction, Atelierautomatique, Bochum (Group)

2020

Lange Nacht der Bilder, Berlin Lichtenberg (Group)

2019

Diagonale 1, Pathologie/Museum Kesselhaus, Berlin (Group)

2018

R.A.V.E. – Radical Audiovisual Ensemble, Voodoo, Berlin (Group)

Textur, Erratum Galerie, Berlin (Duo)

2017

Episode, Museum Kesselhaus, Berlin (Group)

2016

Die Werbung, Museum Kesselhaus, Berlin (Group)

2011

O.T., Galerie 5th People Project, Berlin (Group)

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Publications

2025               

Julius Voigt, Jürgen Neyer et al. (2025): Europäische Politik im Fokus: Narrative zu Migration, Sicherheit und Integration. Eine quantitative Analyse von Redebeiträgen im europäischen Parlament. Europa-Universität Viadrina, ‘Diskurse und Narrative in der Europäischen Außenpolitik’. Forschung zu Wissenserwerb und Lehr-/Lernprozessen (5). DOI: https://doi.org/10.11584/opus4-1414.

Sassan Gholiagha, Mitja Sienknecht, Julius Voigt et al. (2025): From annotation to reflection: how participatory AI training enhances critical thinking. AI & Soc (2025), DOI: https://doi.org/10.1007/s00146-025-02539-9.

Julius Voigt, Katrin Girgensohn et al. (2025): KI und kritisches Denken beim Forschenden Lernen in Politikwissenschaften. Zeitschrift für Hochschulentwicklung. DOI: https://doi.org/10.21240/zfhe/SH-KI-2/03.

2024                

Julius Voigt, Shona Stark et al. (Hg.) (2024): Read If You Want to Feel, Schreibwerkstatt Edition 2, Kunsthochschule Berlin-Weißensee.

Julius Voigt, Jürgen Neyer et al. (2024): Weltpolitik im Umbruch. Eine Bestandsaufnahme neuer Formen multilateraler Krisenbewältigung, Forschung zu Wissenserwerb und Lehr-/Lernprozessen (4). DOI: https://doi.org/10.11584/opus4-1356.

2023                

Julius Voigt (2023): Trans Parent Chatter. Between Aryo (Julius Voigt) and Lyra (ChatGPT). Link.

Julius Voigt, Robin Harder (2023): Zhärte, Erzählung, 93S., 2. Auflage. Verlak.

Julius Voigt, Katrin Girgensohn et al. (2023): Research Based Learning with AI at the Social Science AI-Lab for Research Based Learning (SKILL), 1148 KB / Forschung zu Wissenserwerb und Lehr-/Lernprozessen; 3. DOI: https://doi.org/10.11584/opus4-1326.

Julius Voigt, Robin Harder (2023): Zhärte, Erzählung, gebunden, 81S., 1. Auflage.

Julius Voigt, Shona Stark et al. (Hg.) (2023): Poesie und Poetry, Schreibwerkstatt Edition 1,Kunsthochschule Berlin-Weißensee.

2022                

Julius Voigt (2022):Den Tisch beim Zeichen nehmen: T >< T, Von100, Berlin, Link.

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CONTACT

For questions and collaboration please write an Email.

 

 

 

 

 

 

 

 

 

 

 

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Imprint.Information according to § 5 TMG
Julius Voigt, Paracelsusstraße 12, 06114 Halle (Saale)

Contact. Phone: 017621142340, E-Mail: julius.voigt@kh-berlin.de

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