The work ‘Der Letzte Schrei(b)’ explores Edvard Munch’s time in Warnemünde, focusing on the significance of the Munch House and its surroundings. A central element is the old pear tree in the garden, under which Munch often sat. This detail serves as a starting point to reflect on the connection between place and artistic development.
Munch’s stay in Warnemünde marked a turning point in his work. During this period, he moved toward brighter colors and more dynamic compositions, as seen in Bathing Men. The Drawings in ‘Der Letzte Schrei(b)’ draw links between his changing state of mind, the coastal environment, and the evolution of his style, offering insight into how these factors influenced his art.
Accompanied by images of the house and landscape, the drawings illustrate the role of nature, Personal State of Mind and The creative process. By highlighting these connections, they provide a clearer understanding of how setting and personal experience shaped his later works.
Footnote: All drawings are done with a felt-tip pen on A4 paper (170g), the writing at the bottom of the pages was written in blue ink with a fountain pen.
Warnemünde, 2022
Julius Voigt 